Florent Ghys is a composer and double bass player from Bordeaux, France, based in Brooklyn, NY.
His music has been described as ”thrilling breed of post-minimal chamber music” (Time Out NYC) and ”highly contrapuntal showcasing intelligent multi-tracking and inventive use of sampled speech” (WQXR). Journalist John Schaefer says: “Composer and bassist Florent Ghys writes pieces that blend elements of minimalism, pop music and a dose of extravagant wit”.
Florent holds a “Maîtrise” from the university of Bordeaux in Ethno-musicology with a focus on Egyptian music, a “Dîplome d’Études Musicales” from the conservatoire of Saint-Maur-des-Fossés and the conservatoire of Bordeaux majoring in Double Bass Performance, and a M.M. in Music Theory and Composition from New York University Steinhardt.
He has been commissioned by ensembles and musicians such as the Bang on a Can All-Stars, Jack quartet, Cadillac Moon ensemble, Wild Rumpus, Dither quartet, and Kathleen Supove. His music has been performed at the Lincoln Center, B.A.M., Barbican Center, M.I.T., Sydney Opera House, San Martin Theater in Buenos Aires, and Muziekgebouw in Amsterdam.
Florent received a fellowship from the MacDowell Colony where he was composer in residence in 2013. His collaboration with French filmmaker Isabelle Solas on the film “En un temps suspendu” won the Sacem price for short movies, and the movie “L’âme de la Forêt” with filmmaker Julien Paumelle was selected for the Short Film Corner at the Festival de Cannes. The label Cantaloupe released two albums of his solo music in 2010 and 2011, and a third one is on the work.
As a double bass player he played with the Paris Opera Orchestra, the Wordless Music Orchestra, and the ensemble Ear Heart Music. As an arranger Florent worked with French singer-songwriter François Cha, and American singer John Lloyd Young for his shows on Broadway in 2013. As a programmer he developed several applications including one for pianist Vicky Chow to be released on Boosey and Hawkes. As a producer Florent supervised (editing and mixing) the recording of the piece Piano Counterpoint by Steve Reich to be released in late 2014 on Nonesuch.
More info: http://www.florentghys.com
Grammy® nominated pianist Aron Kallay‘s playing has been called “exquisite…every sound sounded considered, alive, worthy of our wonder” (LA Times). “Perhaps Los Angeles’ most versatile keyboardist,” (LaOpus) Aron has been praised as possessing “that special blend of intellect, emotion, and overt physicality that makes even the thorniest scores simply leap from the page into the listeners laps.” (KPFK) Aron’s performances often integrate technology, video, and alternate tunings; Fanfare magazine described him as “a multiple threat: a great pianist, brainy tech wizard, and visionary promoter of a new musical practice.”
Sound and image share the ability to transcend culture and express the highest truths about the conditions of the human experience. Edward Steichen’s 1955 exhibition, “
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